Wednesday, April 6, 2016
Thursday, October 29, 2015
my new librarian philosophy
"Real learning is bold and intoxicating and nonlinear. It should be slightly subversive with a tad of radical. I see it as a ongoing transformation that occurs as a series of personal epiphanies." Brian Mathews (pg. 7 of Booth)
Drew Durham’s future Librarian Slogan “Use all my authentic heart to work with all on their innovative parts.”
My Future librarian philosophy:
As a librarian guide, I do and will continue to believe that every interaction can be an opportunity to be influential with patrons while keeping in mind how they can benefit from our sharing. My aim is to work with and empower patrons (any students of life) on imagination, creativity and to co-create meaning in lessons and interactions and lessons with all patrons.
Method: I will try to do this by sharing part of myself with every interaction, and empower myself with confidence as well as the passion I have for imagination and creativity literacy. I will hope to keep a guide voice, not an authoritative “expert” voice, as I am not the best or highest authority on any specific thing as of yet. I will bring in humor whenever I can. I will keep the what’s in it for me principle (WIIFM) first and for most into my lessons and interactions. I will also make other peoples materials my own to make materials more personal. I will also practice being aware of intention for every lesson, and bringing my mindfulness practice into every interaction in my future career.
I don’t have a good PLE, personal learning environment as of yet as I spend my time reading tween and teen literature for work and for myself instead of working on myself with library books, blogs or tools. Any help I n creating a more professional and personally empowering PLE please let me know!!
With one possible exception Unshelved ( http://www.unshelved.com/) a great librarian web comic.
With the further exception of the Durham Lab DBT app. (http://durhamdbt.com/) and ( http://www.diarycard.net/) very helpful in keeping me grounded daily and mindful through out each day.
Drew Durham’s future Librarian Slogan “Use all my authentic heart to work with all on their innovative parts.”
My Future librarian philosophy:
As a librarian guide, I do and will continue to believe that every interaction can be an opportunity to be influential with patrons while keeping in mind how they can benefit from our sharing. My aim is to work with and empower patrons (any students of life) on imagination, creativity and to co-create meaning in lessons and interactions and lessons with all patrons.
Method: I will try to do this by sharing part of myself with every interaction, and empower myself with confidence as well as the passion I have for imagination and creativity literacy. I will hope to keep a guide voice, not an authoritative “expert” voice, as I am not the best or highest authority on any specific thing as of yet. I will bring in humor whenever I can. I will keep the what’s in it for me principle (WIIFM) first and for most into my lessons and interactions. I will also make other peoples materials my own to make materials more personal. I will also practice being aware of intention for every lesson, and bringing my mindfulness practice into every interaction in my future career.
I don’t have a good PLE, personal learning environment as of yet as I spend my time reading tween and teen literature for work and for myself instead of working on myself with library books, blogs or tools. Any help I n creating a more professional and personally empowering PLE please let me know!!
With one possible exception Unshelved ( http://www.unshelved.com/) a great librarian web comic.
With the further exception of the Durham Lab DBT app. (http://durhamdbt.com/) and ( http://www.diarycard.net/) very helpful in keeping me grounded daily and mindful through out each day.
Tuesday, April 7, 2015
Culture and Metaphor in coding? {code me IN
}
The ideas of cultural tolerance, cultural sensitivity, and cultural literacy are just three of the many emerging and exciting cultural ideas that people need to understand and use more seriously especially from now on, I believe. This is clearly evident in the movement for culturally adaptable websites.
I found an article by Shen, Wooley and Prior, talked about how the main goal of user interface is supposed to be to assist users who play “multiple roles according to their contextual environment and purposes of use.” (p. 822, Shen et all, 2006) Though few websites are ideal in everyway, there is a push for more culturally sensitive World Wide Web (WWW). May different times of “-isations” or ways of viewing the cultural world are described from globalization to localization the combination known as glocalisation, and iconisaztion and cultualizaiton are described in the article and much of a sociological history and discussion of the importance of cultural literacy is described before turning toward user interface and the WWW. The development of a user interface or a whole new type of WWW product one that is a local cultural construct as opposed to a globalized produce adapted for target cultures especially those based on geography is becoming clearly necessary. Culturally Centered Design (CCD) is needed and will be a new method of web usability and a whole new aspect of website accessibility.
For some there is a need for appropriate and workable interface metaphors for the to bridge the cultural gaps. Interface metaphors are ways to use aspects of a website to help users to understand abstract content, create a sense of familiarity, trigger emotions, draw attention and motivate action. Examples of website metaphors are icons, buttons, images, as well as
text and styles as long as they increase understanding of information, I'm all for it.
text and styles as long as they increase understanding of information, I'm all for it.
The CCD filer is composed of the designers socio-cultural filter, where the website designer needs to figure out and learn and present relevant cultural data and check the technical specifications such as usability and evaluation tools. Then the designer should create culturally relevant content for their target culture including jargon, dialect, thought patterns, behaviors and be sensitive with social taboo issues. The designer must be well aware of cultural differences, outsider biases and opposing viewpoints. The designer must do his or her best to think, and use the web design from the perspective culture they are preparing CCD WWW material for.
I think the world need more metaphors and more people to understand each other. Thus, I am intrigued by the idea of a interface metaphor, especially as it pertains to creating a bridge across cultural and personal gaps. Anything that coding can do to spread peace, love and understanding to new and underrepresented cultures then both cultures and the World Wide Web win in ever bigger ways.
Shen, S. T., Woolley, M., & Prior, S. (2006). Towards culture-centered design. Interacting with computers, 18(4), 820-852. Retrieved on 4/8/2015 from http://cecs.wright.edu/~yan.liu/IHE733/Articles/Culture/TowardsCultureCe...
Sunday, December 7, 2014
future of tween libraries
Promoting e-books and digital resources is essential for the future of libraries. Reader’s advisories that include demographically proportioned diverse backgrounds and that include all subgenres are more important methods for staying relevant and accessible to all populations. Collection management must also stay up to date in libraries of all kinds especially e-books, and research search engines.
Librarian created book-trailers are great tools to make books more relevant for tweens. Making digital advertisements of books makes books more accessible to today’s and future tweens. I would also add that diversifying and increasing numbers of books in library collections of free e-books will keep libraries popular. There are also tons of digital audiobooks, and ever increasing numbers of streaming websites being used at public and school libraries. If an e-book is available and free it just might be as popular then a book you have to pay for. The current problem to me is the lack of supply of e-books, having only one copy available for thousands of potential e-book readers and having waiting lists of dozens and dozens of people will make fewer and fewer people try free e-books at libraries.
Tuesday, October 21, 2014
intelectual freedom and parents advisory in the library
At least a few times a week at the Linden Tree bookstore where I work I will see a child with a book intended for an elder age bracket. As it is our role to promote all the books we can, I simply allow it to happen given the parents approve and that the parents know basics of the book. The same works for all media materials especially in a public library. I look forward to my first experience on the service end of a public library in my internship next semester. But based on everyones comments I can see how we have an overwhelming consensus on that it is the parent's responsibility to be the gatekeepers to what their children are allowed to experience/learn. For one clear reason, parents are legally responsible for their child till the child turns 18 and librarians are not. As strong believers in intellectual freedom, I believe it it is any public librarians duty to open all peoples minds (help all people learn) and grow everyones imaginations. This means everyone also has the freedom to check out anything, but kids are legally "guarded" by their parents, and parents are responsible for their kids.
I think the main reason parents complain about content of books is that the parents themselves are unaware of the material's content until it is to late to keep the child from "exposure" to undesirable content. I think it is as many (all) of us do that parents need to be fully aware of the content or at least subject matter of the books they are letting their kids read. Parents need to always play a proactive role in defining appropriateness of the materials their kids are experiencing, lest their kids grow up "too fast" or any other criteria (as defined by each individual parent).
Sunday, October 12, 2014
Diversity in Tween lit
I have done research on why there is such a disparity between the diversity as shown in the demographics of a city and the diversity actually represented on the local shelves of Los Altos, CA. To me there is a serious and detrimental disconnect between who the people in many cities actually identity with and the lack of representative representation on the library and bookstore shelves. There are many reasons for this. My past and future research is trying to figure out why. As well as what can be done by patrons, librarians, publishers, book buyers and booksellers to remedy this injustice to readers and writers alike.
I totally agree with Jacqueline Wood’s article and especially her conclusion “My belief is that there is room in the world for all stories, and that everyone has one.” Experiences have to be shared in order for stories to be authentically shared. If analogous experiences and stories aren’t heartfelt then inauthenticity is evident. It would be interesting to see about the ethnicity of authors who present books to publishers as compared to the ethnicity of the authors who get published by a major publisher. I loved the publishers perspective article. Especially when it pointed out the myth that diverse books don’t sell and when it talked about the need for increased visibility of diverse literature.
Our lives are full of stories, daily stories, lasting stories, all types of emotional stories and unless we relate directly or analogously to the story we can tell the story does not right true for us as individual readers. Particularly when ethnicity or minorities are being focused on in the stories of our lives, we need to be sensitive to the feelings of others, and how their stories are told and shared. I think that real multiculturalism is only possible when there is sensitivity, shared experiences and real dialogue. Writers and story tellers of all kinds need to write or tell what they know, and not pretend otherwise.
Yes there should be and there will be awards based on race, minorities need to be celebrated as often and as spectacularly as possible. As for promoting multicultural books, it is our duty to uphold our patrons desires, and that is partially impacted by reflecting our local demographics accurately.
In summary, we should all read what we already love or learn to love.
Reference:
Edited by Andrew Durham on Oct 12 at 5:31pm
Friday, September 19, 2014
5 Genre Fiction Reviews
Drew Durham
Libr 264
Prof Penny Peck
9/16/14
5 Genre Fiction Reviews
Review #1 Realistic Fiction
Shmatz, Pat. Bluefish
Paperback – August 6, 2013 240
pages
Candlewick Reprint Edition $6.99 ISBN-13: 978-0763663414
How can someone dealing
with his or her learning differences cope in a world of oppressive normalcy? Bluefish by Pat Shmantz is a
powerful story that tries to answer that question. Told with humor and hope
from alternating two perspectives between two Eighth grade friends Valveeta and
Travis. Interestingly Travis’s sections are told from the third person
perspective while Vaveta’s sections are told from her first hand perspective
some of which is a direct letter to the newly deceased Calvin, a good friend of
Valveeta’s. Both Valveeta and Travis are suffering from heartfelt losses in
their lives. Travis’s dog is gone and Valveeta’s good friend Calvin just
died. Their friendship is between a boy
with learning difference and a girl helping the boy gain confidence and grow in
his abilities.
Bluefish is a powerful book
deals with loss and death carefully and with the right amounts of humor and
weight. The book is also thoughtful in its emphasis on the lessons of secrets,
the usage and power of metaphors and the sameness of similarities between two
sensitive young people who are genuine friends. The book is a triumphant
empowerment story of friendship and describes some ways we can all build trust
with other people. A clear lesson in confidence, the ongoing search for identity,
and lessons in how to build, maintain and celebrate our personal discoveries.
Though there are no teaching resources that I could access, all of the
teachable moments in the Bluefish, keeps the book full of insight and potential
projects and discussion questions. Bluefish has some classroom ideas from
the publisher Candlewick press located at: (http://www.candlewick.com/book_files/0763653349.bdg.1.pdf)
The ideas
presented here are discussion questions and activity ideas.
Review #2
Adventure/Survival
Hobbs, Will. Downriver Paperback – July 10, 2012 $6.99 Atheneum Books for Young Readers; Reprint
edition ISBN-13: 978-1442445475
The California
young Readers Award wining book Downriver
by Will Hobbs follows a group of youth who are a part of Discovery Unlimited, a
wilderness therapy company. The self-proclaimed “hoods in the woods” are
enduring obstacle after obstacle hiking and rafting, an extremely adventurous
and in fact dangerous type of wilderness therapy. One day our troublemaking troop breaks away
from the drill-sergeant type named Al the authority figure and former group
leader.
Thus the quirky group of
fascinating characters and ill matching personalities immerge during the
progress of this thrilling coming of age type adventure.
There are group politics including
a hierarchy, trust issues arise, and loyalties change, and subgroups are
formed. Soon our troop is separated into the two rafts as they start rafting
down as “pirates of the Colorado river” in stolen raft and gear. As our youth,
develop in character and personality.
Our first person narrator Jessie, a girl with a strained relationship
with her father learns to navigate her relationships as she orients herself
physically as the river thunders underneath the rafts.
The character development is very
well written and the setting and the action and brought to vivid life by a
gifted survival and adventure storyteller.
After the inevitable ending of the trip,
the ending is quite abrupt. The youth learn and grow tremendously in unique
ways as a result of their criminal and life changing adventure together. On
Will Hobbs’s website of the book (http://www.willhobbsauthor.com/teachers/lib_river.html)
there are some ideas on teacher and librarian ideas for working with the book
and some ideas for planning adventures. Random
House also did a Teacher Guide for Downriver
located at (http://www.randomhouse.com/teachers/catalog/display.pperl?isbn=9780440226819&view=tg
)
Review #3
Historical Fiction
Vanderpool, Clare.
Navigating Early Hardcover $16.99 January 8, 2013 by
Delacorte Books for Young Readers, 306 pages (SBN13: 9780385742092)
Navigating
Early by Clare Vanderpool is a historical book about a long journey set during
World War 2. The book describes what it takes to be a friend through the
example of an eccentric friendship of two young boys. Navigating Early explores power of belief and
the power of stories. The book is about an outsider Jack who feels on the
outside of every group he encounters especially upon his arrival at a new boarding
school named Morton Hill Academy and after the death of his mother. The books
other main protagonist is what today would be classified as an autistic savant but
back then was only an eccentric strange kid named Early who along with Jack
adventure together on a journey based on a fantastical story Early strongly
believes is true. Early spins a magical tale about his brother, a legend at
their boarding school and a bear as they follow the path Early describes in his
story.
Jack and Early’s friendship
and Early’s trustworthiness is tested time and time again during their
adventures. The definitions of being lost and found are explored in this
thought provoking and touching book. The balance of humor and excitement that make
the more serious issues that Vanderpool discusses through the protagonist
narrator Jack more real to the reader. The extras in the book are
the author’s note with questions and answers and a list of resources. I also
found the publishers educators guide for the book. which includes common core
state standards correlations. (http://www.randomhouse.com/teachers/wp-content/uploads/2013/01/NavigatingEarly_EG_WEB.pdf)
Review #4 Mystery
Snyder, Zilpha
Keatley. The Egypt Game Paperback – Atheneum Books for Young
Readers; Reprint edition July 7, 2009
ISBN-13: 978-1416990512 $7.99
A group of youth
gather in the backyard of a mysterious and eerie curio shop to create their own
imaginative version of Ancient Egypt. There they have a very detailed and
elaborate and imaginative “society” full of elaborate interchangeable roles,
fancy costumes, complex rules, intricate rituals, mythological beliefs and
decorative ceremonies and carefully crafted customs that are imitations based
on the life, beliefs and mythology of the real Ancient Egypt.
A local and
mysterious murder of child changes everything. The agency or power of children
is a major theme here and all the children (even the four-year old boy) have a
crucial role to play through out this book’s suspenseful plot. Snyder’s classic
is well written, apparently researched, and full of character development and
has many clever plot points all along the way.
I found a lesson plan aid for The Egypt game (http://www.meritonlinelearning.com/OLMS/manuals/BPLPA/The_Egypt_Game_Lesson_Plan.pdf) This lesson plan aid is full of great ideas,
writing prompts, sources for activities, curriculum integration vocabulary, and
other things.
Review #5 Science Fiction
John, Christopher The White Mountains Mass Market
Paperback – April 1, 2003 $6.99 (Simon Pulse) 208 pages, ISBN-13: 978-0689856723
Imagine the scene,
life in the Middle Ages, while you experience everything from life in the mills
to a royal festival, a banquet, and a tournament, but something evil and
overwhelming looms in the skies above. This is the backdrop for the White Mountains by John
Christopher, the first book of the tripods series which portrays life of
centuries ago, with a sci-fi twist. Tall and menacing tripods “cap” or put
metal mind control device on the back of the heads of all youth as their coming
of age ritual.
Our main heroic
character a boy named Will makes some discoveries of his own and he realizes he
does not want to be a slave to the tripods and escapes to the White Mountains
that the crazy vagabonds roaming the cities and country side speak of. With some misfit friends Will escapes his
fateful “capping” multiple times, but will Will make it to the White Mountains
in time? What will happen to his friends?
As for extras, I would suggest making a first person journal of being
Will or one of the friends, and explain their thoughts and their experiences
through out the book. I also found a
publishers fact sheet with a list of classroom ideas to teach the book. (http://delivery.stpb.net/MAGA/ENGLISH/Reading%20Group/READING/penguinreaders/penguinreaders/Downloads/0582419182.pdf)
References:
Kirkus Review of Navigating Early
Posted
Online: Oct. 31st, 2012 accessed 9/17/2014 from:
Booklist review of
Navigating Early First published December 15, 2012 (Booklist). Accessed 9/17/2014 from:
Random House Educators Guide for Navigating Early accessed
9/17/2014 from:
Will Hobbs website Downriver and River thunder resources:
accessed 9/17/2014 from:
Random House Teachers Guide to Downriver accessed 9/17/2014
from
Merit Software Lesson
Plan Aid for Book Punch® - The Egypt Game Grade level 4 accessed 9/17/2014 from: http://www.meritonlinelearning.com/OLMS/manuals/BPLPA/The_Egypt_Game_Lesson_Plan.pdf
Candlewick press Classroom Ideas for Bluefish accessed
9/17/2014 from:
Penguin Reader Factsheets for the White Mountains accessed 9/17/2014 from:
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